PENGARUH GAYA KALIGRAFI DALAM DESAIN LOGOTYPE

Authors

  • Elisabeth Christine Yuwono Dosen Jurusan Desain Komunikasi Visual Fakultas Seni dan Desain – Universitas Kristen Petra Surabaya

DOI:

https://doi.org/10.9744/nirmana.7.1.

Abstract

Generally%2C group of Calligraphies are divided into two groups: Eastern and Western calligraphy. Eastern calligraphy is divided into East Asia/oriental calligraphy (China%2C Japan%2C Korea) and Middle east (Arab). Western calligraphy is divided into Europe and America. Calligraphy styles sometimes are adapted by companies and products for their logotypes. Indian%2C Javanese and various other letters which have etnicity characteristics as a matter of fact might be categorizing into calligraphy%2C because of beside not much influencing and spreading globally%2C in historical perspective they just a little bit explorate%2C so that some authors infrequently not write them in their literatures.
Abstract in Bahasa Indonesia :

Secara umum kaligrafi terdiri atas dua kelompok%2C yaitu Kaligrafi Timur dan Barat. Kaligrafi Timur meliputi Timur Tengah (Arab) dan Asia Timur (China%2C Jepang). Kaligrafi Barat meliputi Eropa dan Amerika. Gaya kaligrafi terkadang diadaptasi dalam pembuatan desain logotype perusahaan dan produk tertentu. Tulisan India%2C Korea%2C Jawa%2C dan lainnya yang mempunyai ciri etnisitas tertentu sebenarnya bisa masuk dalam kelompok kaligrafi namun selain karena ditinjau dari aspek kesejarahannya kurang begitu dieksplorasi juga karena pengaruh dan penyebarannya kurang mengglobal%2C maka pada umumnya para penulis kaligrafi jarang memasukkannya dalam literatur mereka. calligraphy and logotype

Published

2006-05-23

Issue

Vol. 7 No. 1 (2005): JANUARY 2005

Section

Articles

License

  1. Jurnal Desain Komunikasi Visual Nirmana has the right of first publication while the author(s) retains copyright and the right to share and redistribute the work under a Creative Commons Attribution License. This license allows others to freely share and adapt the work, provided that they acknowledge the work's authorship and its initial publication in this journal.
  2. Upon publication, the author(s) agrees to the journal's terms of non-exclusive distribution, allowing the published version of the work to be used in other contexts (e.g., institutional repository or a book), with an acknowledgment of its initial publication in Jurnal Desain Komunikasi Visual Nirmana.
  3. The author(s) is also aware of the responsibility to obtain permission for the use of any copyrighted material from third parties as required by the journal.

How to Cite

PENGARUH GAYA KALIGRAFI DALAM DESAIN LOGOTYPE. (2006). Jurnal Desain Komunikasi Visual Nirmana, 7(1). https://doi.org/10.9744/nirmana.7.1.