Penafsiran Warna-Warna Tradisional Bali dalam Buku Autobiografi Seniman I Made Ada dan Made Wianta Melalui Pendekatan Hermeneutika
Keywords:Traditional color, the color of Bali.
AbstractThe use of color that occurs in some cultures is seen in Balinese, Javanese, and Minangkabau cultures, as well as a few places around the island. These colors state their respective regions, making them the region’s traditional color. These colors must intersect with the culture of origin of each area. In the process, each region and its culture each has a set of media in demonstrating their color richness. Be it in the form of traditional arts, such as puppet, or dance with the beauty of the clothes, they give the hallmark of their respective regions. Likewise, art from Bali which appears identical to the results of their work is beautiful, interesting and very attractive. Based on this development, then how is the position of the traditional colors in this modern era, especially in Bali? How is the position of the traditional colors in the eyes of some Balinese artists to books which the contents are about themselves? This problem is seen through an interpretation by referring to existing theories of the books that perpetuate each artist’s work and themselves at work.
Asthararianty. 2009. Autobiografi I Made Ada, Bersama Garuda Terbang Mendunia. Universitas Kristen Petra. Tidak Diterbitkan.
Bollansee, Marc. Poshyananda, Apinan. 2000. Made Wianta, Art And Peace. Singapore: Times Editions
Darmaprawira W.A., Sulasmi. 2002. Warna, Teori dan Kreativitas Penggunaanya. Edisi ke-2. Bandung: ITB.
Raharjo, Mudjia. 2008. Dasar-Dasar Hermenutika, Antara Intensionalisme & Gadamerian. Jogjakarta: Arruzz Media.
Sumaryono, E. 1999. Hermenutik, Sebuah Metode Filsafat. Jogjakarta: Kanisius.
Walker. A. John. 2010. Desain, Sejarah, Budaya, Sebuah Pengantar Komprehensif. Jogjakarta: Jalasutra.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).